I Need to fall in Love All Over Again

November 2, 2009 by Rumjhum Biswas

It’s been like this for weeks, no months, on end now; this disquiet of something not there, this feeling of disruption even as my daily routine continues, a heart that paces length to length in its serrated Boney cage.

Old relationships are hard to break; harder still to fall in love again, when you have loved that other so much, so long. But I know I have to move on, have to love again, truly, with all my heart again. Otherwise the writing will not come. That thought kills me every night.

So I began the process even before the first night of stepping in. I jerked my heart, almost squeezing it in my fist every time it turned back for another last look.

I don’t blame my heart, especially now that it has grown  quite old and quite tame – there was a time when I revelled in every movement – an odd thing in a wife and mother, a woman most of all, for aren’t women supposed to be the rooted ones?

Still, I loved it every time we moved, each time taking our home with us, dismantled and packed into neat cardboard boxes transported by truck or ship. This time too was no different. Except that we moved from one steep end of the city to another steeper extreme. This time we are much closer to the sea, more away from the hub, among broader quieter avenues and cul-de-sacs, roads and lanes that are still strangers to me. Magical that a single city can be so different in its different parts and yet be the same city, like a confluence where the waters of disparate rivers meet.

Still, I had grown to love my old locality and home of four years. Despite the obvious beauty of this new place, I have not yet been able to claim it for my own. As yet. I need to own it first; love will follow. The writing will not happen otherwise.

I need to sit at a particular angle, where the sun slants in just so. So my computer’s been turned around and around again; and yes the husband is exasperated. I am still in the process of finding my G-spot of writing, so to speak.

My blog has been neglected. My implicit commitments to writers have not yet been honoured. Drafts of poems are lying around in scraps of paper. Stories have raged in my head and died before they could be consecrated to paper. It does not help that for the most part, this year has been emotionally too noisy and jagged, and that is bad for my writing. Very bad. So now in this month of November,  I am disciplining my heart to love again, and love true, like before.

It helps that the moon when it’s plump and full, hangs just above the Gul Mohar tree outside my terrace (and in this house I have two – one above running the length and breadth of our apartment and the other smaller but more reachable beyond my hall) shedding elfin light upon us. There are parrots and squirrels here too. And a gang of monkeys that seem to be more decently behaved than those in my children’s school. Most homes own a dog or two; I watch them and sometimes get to make friends with them. The dog I once rescued and owned briefly, but will love eternally, lives about five hundred metres away. I saw him today and came away glad for him.

Yes. The bricks are falling into place, softly. The fire hasn’t yet warmed my hearth, but it is lit. I can feel my heart expanding, ready to embrace this new environment. This November I am hopeful my muse will rain; this November I hope to reap a small harvest of meaningful words. I hope to finally fall in love with my new surroundings, deeply and meaningfully.

♥♥♥

Glorioustimes for Nu Cham Vu!

November 2, 2009 by Rumjhum Biswas

Something very interesting is happening at Glorioustimes, the online literary group run by writer/editor Glory S Franklin!

Nu Cham Vu is being launched online, with discussions and conversations between Shreekumar Varma (Nu’s creator), American writer Miranda Kennedy and of course all the other writers  in Glorioustimes.  

You have to become a member to take part, but that is hardly a hurdle. Glory is the moderator of this writers’ group; you would need introduce yourself to her.

  Here’s the link again: 

http://in.groups.yahoo.com/group/glorioustimes/

And more information about

Shreekumar Varma:

http://themagicstoreofnuchamvu.homestead.com/index.html

http://shreevarma.homestead.com/

http://thinkopotamus.blogspot.com/

And

Miranda Kennedy:  The author of a forthcoming narrative nonfiction book about the lives of six women in India. It is a first-hand account of the contradiction between India’s rapid modernization and its underlying social conservatism. The book will be published by Random House in the US in January 2011. Until 2007, Miranda was a New Delhi-based correspondent for American Public Media’s “Marketplace” Radio. During her five years living in India, she often reported from Afghanistan and Pakistan, and her stories from around the region were heard on National Public Radio programs, and read in The Boston Globe, The Nation, and Slate Magazine.  Now based in Washington, DC, Miranda’s most recent full-time job was as an editor at National Public Radio.

http://www.mirandakennedy.com/

:D

Junot Diaz on Becoming a Writer

October 25, 2009 by Rumjhum Biswas

I think everyone who writes or has a writer in the family should read this. A facebook friend, who is also a writer, uploaded this on facebook – thank you OM – and I thought I must put this up in my blog!

http://www.oprah.com/article/omagazine/200911-omag-junot-diaz-writing

Pay special heed to the second part:

 http://www.oprah.com/article/omagazine/200911-omag-junot-diaz-writing/2

___________________________

Nu Cham Vu Where Are You?

October 20, 2009 by Rumjhum Biswas

Nu Cham Vu is out of the closet. Nu Cham Vu is at large! Nu Cham Vu will get ‘em soon… in Bangalore. So watch out folks!

Nu Cham Vu, who? 

Ah! The answer to that question lies in the book my pretty!  I haven’t yet got my talons into it, but I will. Oh yes I will! Before my daughter gets home I will! But all you lucky, lucky folks who live in Bangalore, you can get up and close with the creature and its creator!  

Here’s a personal invitation from those behind the scene:

Nu Cham Vu invitation - Bangalore

Five Poems in Kritya

October 9, 2009 by Rumjhum Biswas

I still haven’t begun writing. But these were accepted a few months back and slotted for the October 2009 issue of Kritya.

http://www.kritya.in/0505/En/poetry_at_our_time.html

The rest of the poems are here

 

I’m Still Soooooooo not Back to My Writing Self …

October 6, 2009 by Rumjhum Biswas

It’s been a pretty long while since I last (b)logged in!  Too many things happening all at the same time. The stillness that I need and crave for my writing self to come to life is just not there these days.  And, that’s just part of the picture!  I would never have gotten to know about an acceptance if it weren’t for a writer friend who read my story and wrote in to tell me about it!

Thank you all folks who read my blog. Here’s the link to my story which is published in the October 09  issue of Danse Macabre:

http://dansemacabre.art.officelive.com/missingthemovie.aspx

 

*********************

Wise Words for Indian Writers Writing in English

September 15, 2009 by Rumjhum Biswas

As I re-read this very old article in the Boston Review written by Vikram Chandra, it’s relevance struck me again with force.

But first a looooooooong quote from the article :

ignore the commissars, whether they come from the left or the right, up or down, India or abroad. Be wary of their praise, because their hospitality is a prison. They will kidnap the cow of your plenty. Be ruthlessly practical, like the bhais of Bombay, those CCTV-using, Glock-firing, Bholenath-worshipping gangsters. Do whatever it takes to get the job done. Use whatever you need. Swagger confidently through all the world, because it all belongs to you. And don’t worry about tradition. Whatever you do felicitously will be Indian. It cannot be otherwise. If Bholenath speaks to you, put him in your painting, or your story. The inevitable fact that some reader in New Jersey will find Bholenath’s tiger skin and matted hair “exotic” is wholly irrelevant. To be self-consciously anti-exotic is also to be trapped, to be censored. Be free. Give up nothing, and swallow everything. In your work, don’t be afraid of elephants and snakes and mystical India. If repetition and misuse have emptied out an image, a metaphor, a trope, rendered it void of meaning and substance, your job as an artist then is to be wily; you must slide sideways under the metaphor, take it onto your skin and inhabit it, then twist it, mangle it, pervert it, until it becomes your own and therefore comes alive again. You have to repossess what was once yours, what is still yours. To give up a metaphor because someone else has abused it is reflexive stupidity; you are again letting “them” take the initiative, letting them decide what is still yours and what is not. You are giving up ground. India is full of elephants and snakes and mysticism, and also cell phones and nuclear weapons and satellites. Give up nothing, and swallow everything. Be fearless, like that suave cosmopolitan M. K. Gandhi, that most international of khiladis, who told us repeatedly that while his political gurus were Gokhale and Ranade and Tilak, his spiritual gurus were Tolstoy and Thoreau and Ruskin, and that he got his non-violence not from the Gita, but from the Sermon on the Mount. Remember that Gandhi’s audience was not just Indian, but also everyone else; that all his actions, the spectacle of his revolution and the revolution of his self, were performed simultaneously before a local audience and a global one. He spoke to us, to those he loved, but in speaking to us he was also speaking to all the world, and in speaking to the world he wanted nothing less than to change all of it. Be fearless, speak fearlessly to your readers, wherever they are, and be aware that as you speak, you will inevitably be attacked by some critics for being not Indian enough, for being too Indian, too Westernized, too exoticized, too rich, for being a foreigner, an agent of the CIA. This is also wholly irrelevant. Do your job.”

________________________________________

Ru Freeman’s Reading Schedule

September 10, 2009 by Rumjhum Biswas

Ru Freeman  the author of “A Disobedient Girl” will be reading at various venues in September. Those of you who are nearby and can make it, please attend. This is a personal invitation from Ru Freeman.

In Ru’s own words:

Please come/spread the word about these fabulous hosts who will be allowing me to spend some time in their spaces in September.

Jamaica Plain, MA
Friday, September 11th, 2009
7pm
Jamaicaway Books
New England’s only multicultural bookstore!
676 Centre St
(between Burroughs St & Seaverns Ave)
Jamaica Plain, MA 02130
(617) 983-3204

Newtonville, MA
Sunday, September 13th, 2009
2pm
Newtonville Books
296 Walnut Street
Newtonville, MA 02460

Boston, MA
Monday, September 14th, 2009
7pm
Grub Street
160 Boylston Street,
Boston, MA 02116
tel: 617.695.0075
Email: info@grubstreet.org

I will be appearing with two friends, Rishi Reddi (Karma & Other Stories) and Rakesh Satyal (Blue Boy), to read from our work and speak on a panel.

Bryn Mawr Film Institute
Wednesday, September 16th, 2009
7.30pm
Bryn Mawr Film Institute
824 West Lancaster Avenue
Bryn Mawr, Pennsylvania 19010
610.527.4008 x 109
Email: Info@BrynMawrFilm.org

BMFI will screen the amazing documentary, Who Does She Think She Is? by Academy-award winning film maker, Pamela Tanner Boll, about five women who “refuse to make a choice between mothering and creativity, partnering and independence, economics and art.” The artists are Janis Wunderlich, Angela Williams, Camille Musser, Maye Torres and Mayumi Oda.

I will speaking on and moderating the panel to follow, when four local artists will discuss the value of a creative life, the compromises that are made and those that are refused. The panel will include ceramic artist Jill Bonovitz, dancer Laura Katz Rizzo, and essayist Kathy Stevenson.

Sunday Salon, New York City
Sunday, September 20th, 2009
7pm
Sunday Salon Reading Series
Jimmys
Seventh Street Small Stage
43 on 7th St.
between 2nd/3rd Ave.
(Subsway: 6 to Astor Place. Walk east to 2nd Avenue
then south to E. 7th Street, east to the theatre)

I will be reading along with Billy Lombardo, Wesley Yang, and Cheryl Burke.

Philadelphia, PA
Tuesday, September 22nd, 2009
6 p.m.
Barnes & Noble
1805 Walnut Street
Rittenhouse Square, Philadelphia, PA 19103
(215) 665-0716

Think Globally, Read Locally comes downtown! I will be reading with my good Rachel Pastan, author of Lady of the Snakes, Lise Funderberg, author of Pig Candy, Jim Zervanos, author of Love Park, and Elizabeth Mosier, author of My Life as a Girl.

Camden, NJ
Wednesday, September 23rd, 2009
7.00 – 8:00pm
MFA Reading Series & Reception
Stedman Gallery
Rutgers-Camden
101 Cooper Street
Camden, NJ

KGB, New York City
Sunday, September 27th, 2009
7.00 pm
Sunday Fiction Series
KGB Bar
85 East 4th Street
New York City, 10003

Who Gained?

September 9, 2009 by Rumjhum Biswas

New poem up in Every Day Poets!

Read it here 

:)

 

At the Clinic

September 5, 2009 by Rumjhum Biswas

“Your turn after the second patient,” said the doe-eyed girl. The woman nodded; dipped her head back into the book she’d been reading. It was a slim book by Toni Morrison that at any other time she would have been so immersed in as not to have heard a wall collapse behind her.

Today she was distracted. The reports were all there in neat black letters and numbers. A bunch of alarm bells started to ring, not stridently, but  issuing  warnings nevertheless. She read the words, once twice thrice, blinked and then tried again.  Toni Morrison would have to wait.

“I can see the ENT while I am waiting?”

“As soon as doctor comes in you can go.”

Five minutes later the doe-eyed girl called her. The woman stuffed the book into the large tote bag she was carrying and  knocked.  “Sorry Dr. P. I should have been here last week. “

“Oh? I thought I saw you yesterday here?”

“Er yes. I was waiting for the gynaecologist.  She’s also treating me. I have to see her again today. And the GP. Um I thought I’d see you …”

“Yes, yes. Please have a seat.

“I did a master health check up…” began the woman lamely. She was already afraid of him finding out that she had not completed the course of medicines he had prescribed for her. She was not a woman who finished her courses, medicinal and otherwise. She believed, secretly, that doctor’s gave more medicines than needed; a few missed doses had not harmed her so far.

The man smiled politely. “You’ve brought my earlier prescription?” He studied the paper and asked her if she had any problems now. When she shook her head, he told her to sit on the leather topped stool meant for patients being examined.

The chamber radiated a bright white light that seemed to  wash over every object in the room and reflected back to the air in turn. It was a continuous process, and already the woman could feel her eyeballs start to ache. She stared at the poster on the wall detailing the parts of the ear nose throat. She read some of the names on the poster. Eustachian Tube. Palatine Tonsil. She has suffered from tonsils all her life. Now she cannot sing. The tunes raging in her mind refuse to leave her throat. Sometimes even words disappear as she is saying them. Half words, even whole words. They come pouring out from her head and then coagulate in her throat. She had told the doctor about it during her first visit, adding self consciously that since writers these days were expected to read out their work, this could be a problem. For her.

Now the man took a periscope like instrument and peeped into her ears. First the left and then the right.  “The infection seems to have cleared up,” he said, lifting up her nostrils with a tong like instrument. “Are you taking your nose drops?’

The woman looked sheepish. “Wasn’t that a three day dose?”

“Actually it’s for a month. I had told you that.”

The woman looked at the kidney shaped steel tray near the basin at the corner of the chamber. It looked hard and shiny. No germ would dare sit on it. There was another steel tray next to it, a rectangular one. Just as hard looking but not so shiny. Some instruments and other steel objects were sitting in it.

“I would like to look inside your throat. We couldn’t it last time.” He smiled, “Since you’re one of those.” A faint smile that the woman echoed. The last time she had nearly gagged on him. ”Well,” he said, leaning back a little. “Please continue your nose drops, and those tablets were for clearing your throat; that problem you said you have. Did you finish the course?”

The woman nodded hastily, but shifted her eyes away. Now there was a pause. They both waited for something they didn’t quite know what in the hard light of the chamber. The man lowered his face to his chin so it looked like he was looking down. His thick black framed square spectacles hid the direction of his eyes. But the woman knew he could see her. Suddenly there was a shyness wafting into the room, like a cool breath. It came from him.

“I read your poems. They are very nice.”

The woman looked at him properly for the first time. Her eyes widened. “You read my poems? Oh! I mean this is so kind of you.”

“No they are nice poems. I liked them.” He knitted his fingers and rested his chin on the bridge of his fingers, elbows seeking support from the handles of his chair. He was not sitting up so straight now. “You know I also used to write. I mean I have always wanted to write. I read poetry…”

“This is wonderful! You’re a doctor and you find time out to read poetry. This is so …wonderful. I.. I’ll. I mean if I had known I would have brought my chapbook along…for you.” The woman waved her hands about to make up for the way the words had jerked and bounced out of her. The words dispersed gracelessly like shooed chickens. She smiled enthusiastically and moved her head up and down.

“No no. That’s okay. Um.. I used to read Russian poets…” And he mentioned a Russian name she hadn’t heard of; a name she could barely catch.

“What?”

He repeated the name, but she still couldn’t catch it. Her mind fluttered around inside her head like a scatter brained spinster- aunt suddenly embraced by guests. She searched for the names of Russian Poets that she had read in the distant past. Mussa Jalil was all she could come up with for now. “Have you read Mussa Jalil?” she asked earnestly. “I recently lost my copy of his poems and I am still angry about it.”

“No I have not read Mussa Jalil… I read a lot of Sappho, you know,” he says leaning back into his chair and clasping his hands behind his neck. “Sappho.”

“Ah yes Sappho. Yes yes Sappho. Did a lot of him in college. Ancient stuff but so relevant even today.” 

 She had forgotten that Sappho was a woman. The man smiled, but said nothing. He looked at the poster, the thick medical books on a glassed in shelf beside it. It seemed like the conversation was over for him. He began to fold back into his professional self, when an impulse stopped him.  “My daughter,” he said. “She also writes you know. She writes very well. I mean I am not saying this just because I am her father. She really writes very well. She writes poetry, but it’s a private thing with her. You know I respect that. So I don’t push her.”

The woman looked at him eagerly. “Oh? That’s so wonderful! But I understand. You know I used to be like that when I was young. In school.”

He nodded. She nodded back. Both of them contemplated this observation. The man looked down at the floor as if searching for something. “Once they told the children in her school to write a fable and she wrote something very nice about two swans. I mean it was really good, you know. I wondered how she could think of something so different. It was different.”

“So both of you share a passion for writing!”

“Yes. Um .. I used to keep a journal you know. My daughter keeps a journal. I’ll show you…”

He reached down and put something on the table that looked like a large, A4 sized shiny black  diary with a metal spine. When he opened it she realized it was a laptop.  And she wondered how she could have mistaken a laptop for a diary. She looked owl-eyed at what the man was about to reveal. She thought he was about to share his poetry or that of his daughter’s. A picture of a ten year old looking thoughtfully at the camera against a backdrop of pure sky stared at her from the monitor.

“My daughter.”

“Oh she’s lovely. I mean look at her so thoughtful. She’s looking at you and also beyond you.” The woman tasted her words on the tip of her tongue as they came out; she quickly swallowed to drown out  their sour tinny taste. This was not the kind of conversation she wanted to have with him. She had an irresistable and illogical urge to recite poetry, any poetry, not necesarily her own, in that antiseptic room. She felt her muscles jerking. Stanzas from long read but not forgotten poems marched into her mouth. But the words on the threshhold of their departure became soundless, slipped out noiselessly and hid behind her chair, scuffing their feet on the floor like awkward children. The man looked at his daughter in the monitor for long seconds with soft eyes. Then he shut the laptop.

“What class is she in? Which school?”

“Class five,” he said, adding the name of a famous school that offers an alternative curriculum.

“Oh? I know a poet who teaches there. He writes Haiku.”

“Yes, yes. I think I know him. I think he’s her teacher. Class teacher.”

“I enjoy reading Haiku. But I don’t write much of that. Do you?”

“Oh yes. Haiku.  I read Basho. Love Basho. Have you read Basho’s prose? I think his prose is very lyrical and yet sort of ..um..to the point.”

“No, only his Haiku.”

He looked disappointed. “He wrote this travelogue  you know “The Narrow Road to the Deep North”… Very lyrical.”

“No I am not familiar with that.”  She said emphatically.

“I enjoy some of the modern woman writers,” he said after a pause.

“Sylvia Plath? I don’t know for some reason I don’t really like her. I mean everybody thinks she’s great but…somehow…”

“I don’t like her much either. Her poetry is too one sided. Narrow scope, you know.” he smiled widely, relieved to share an opinion with her.

“Yes, yes absolutely. But contrast that with Emily Dickinson. I mean just look! Here was a woman who never left her home and what profound stuff she wrote…’tell the truth, but tell it slant.” The woman felt pleased that she had been able to recall a line from Dickinson. He nodded in agreement. “Tell the truth but tell it slant,” he murmured. Encouraged she continued, ” Eliot is really my favourite, always.”

The man laughed, awkwardly shrugging his shoulders. “Oh? Actually I never got beyond the first few pages of The Wasteland.”

“The Wasteland of course. No I mean you should read it again, slowly. Give it time. But first you must read The Lovesong of JA Prufrock.” 

“The what?”

“Love Song of JA Prufrock. I think that’s the first poem one should read of Eliot’s. He really is my all time favourite poet. I keep coming back to him.”

“Just listen to these words,” she said standing up in her enthusiasm. “The smell of steak in passageways”… See here we are in India and I can pass through a street that smells of asafoetida and think of this line and it’s relevant. You just substitute steak with asafoetida or garlic. TS Eliot means something you know. He has something to say that means something. Even though we are in a different land. A different time…”

The man stood up as well. “Yes. Yes,” he said, pausing to chew on her words. “ That’s what a poet should do …”

The words fell softly from his mouth, gathered up and oxygenated. Each letter grew plump and the words floated up to the ceiling, softly bobbing against the smooth white surface like trapped helium balloons. The man and the woman stood beneath the words in a shared silence.

“Well I must go to my Gynaecologist now,” she said at last. She gathered her tote bag and medical reports. He saw her off to the door. “Thank you,” he said softly. She nodded and smiled. She paused outside his shut door. It would have been nice if she could have given him a book of poems then and there. Any poems, not necessarily her own. She felt she would have  liked to do that very much.

The man returned to his chair. He sat quietly beneath the words still bobbing against the ceiling. The doe-eyed girl popped her head in to ask whether he would see the next patient.  “Give me five minutes,” he said.

In a while the words began to pop, a letter at a time, dispelling a faint fragrance, a whiff of fresh moisture on the man. He waited until all the fragrance and moisture dispersed and then waited a bit more in the starkly bereft chamber before pressing the buzzer.

************